Saturday, June 2, 2012

Target Practice

This is an unedited short that is basically me purging some frustration.


I truly don't understand most people's views toward animals. I have watched people callously abuse and kill cats, dogs, cows, chickens ... you name it ... with absolutely no conscience. 


And yet, if the same callous actions are taken toward humans, it is considered sick and wrong. Why is that?

Target Practice

Missy’s chitter wakes me from a light doze. She is at the window gazing down at the courtyard below. Her ears prick forward as she crouches down below the sill, eyes fixed on her potential prey.

She glances back with an excited meow as I rise from my spot on the floor, then she turns back, one paw raising toward the glass as her jaw drops in another chitter. I glance over her head and see a big one feasting at the big feeder. They just can’t resist the fresh food I put out every morning.

“That’s a good one, isn’t it, honey?” I say as I scratch Missy behind her tufted ears. She leans into my leg and purrs, then goes back to watching the activity down below.

Slowly I open the window – I don’t want to make any noise and startle it – and reach down for the bow propped in the corner. I pull three arrows from the neat pile, leaning two against the window sill just in case and fitting the third to my bow string. It is still down there feeding, oblivious to the danger, as I raise the bow and pull.

I follow its small movements for a moment, my breath stilling as I site down the smooth shaft of the arrow. Then I loose, reaching for a second arrow before the first has cleared the window. I don’t need it, though. The first pierces it’s neck, not an instant kill but a kill nonetheless. I return the bow to its resting place and draw my hunting knife with one hand while I slide the window closed with the other.

Missy follows me to the door, twining about my ankles and purring in anticipation of a good meal. The others are waiting in the next room, some lounging and some waiting expectantly at the outside door. They all come running as I pass through the room, and they form a wave of fur around my feet as I trot down the stairs to the courtyard.

It is still breathing and twitching when we reach the courtyard, its eyes frantic as it clutches at the shaft of wood piercing its neck. It’s a goner, but it doesn’t want to admit it yet. Missy runs right in for the kill, jumping on its chest and licking at the blood spilling from the wound. The others follow slower, jumping and hissing as it makes a desperate move to push Missy away.

I kneel down beside it, knife in hand, and its eyes meet mine. “Why?” it gasps around its ruined throat. “Why?”

“It’s nothing personal,” I say as I finish the job. “A girl’s got to feed her cats.”

Now that it’s motionless, the others come in to feed. I let them gorge – who knows when the next stupid one will come by – then start to carve up what’s left. It was a big one and should feed them all for at least a week if I can keep the meat from going bad.

Once the courtyard is cleaned, I refill the feeder. More will come. They always come.

Tuesday, November 15, 2011

Music to my Ears

NSFW (Not Safe for Work) - NSFP (Not Safe for Prudes) - Contains violence and sex - You have been warned.

I've been dabbling with writing erotica for quite some time. Let's face it - I have no love life. I can at least write about wonderfully steamy encounters, right? I have a ton of stories in the notes stage and a couple started, but nothing finished.

Enter my dear friend Tim Woodman. Yes, he is the Pro Villain, the master of Bondage Blowjobs. He specializes in Force Fantasy Rollplay and bondage. He has done some beautiful work and today he posted this plea: "So of all the people who said they were gonna, nobody has contacted me about writing some Villain erotica yet. Step up!" Then he made it personal with a message to me: "Write me a Provillain sexy short story!!! Pleeeease! That'd be awesome."

I made some vague promise about putting something together after my next magazine deadline. But that "Pleeeease" just got to me. I hate it when a villain begs. So here it is, just for Tim.


Music to my ears
By Kate Rose

Her violin case has everything I need. The discordant twang slowly fades from the air as I reach down to pull a cat-gut string free from the broken instrument. The wood is useless, but the strings … ah, they have a use. She lies still in the back of my SUV, but she won’t stay that way for long, but these strings will make sure she remains mine.

The E string, so delicate and thin. Yes, that loops around each of her thumbs and is pulled tight. I stop the pressure just short of drawing blood, but her lovely, delicate digits already begin to turn red, then purple. A bit more pressure, a shade too much of a struggle and oops! – those lovely thumbs are gone.

The A string next, thicker and stronger, goes around her wrists to hold them tight behind her back. I let it hang just a bit looser – a little room for a struggle is a good thing.

She starts to move a bit, thrashing weakly as I finish the loops about her wrists. A gentle moan rises from her throat and I must stop a moment, eyes closed, as I let out an answering moan of my own. My cock pushes against my pants, growing long and hard in anticipation. I open my eyes again as she starts to thrash across the floor, gasping in pain as the strings cut into her wrists.

Her cries are music to my ears, but we are not safe yet. I pull the polishing cloth from the violin case and wad it tightly into a ball, inhaling the sweet scent of rosin. I force it into her mouth, muffling the sobs that are now choking from her. I wedge it between her teeth, then tug the D string from the broken violin neck and tie it tight across her face to hold the cloth in place. The string cuts into her cheeks and the knot tangles in her gossamer hair. I can still hear her whimpers, soft and muffled, but it does not carry.

But her struggles grow and she begins kicking her feet against the side of the SUV. Too much noise! Gently, reverently, I pull free the last string from the broken violin and tighten it across her throat. Slowly, gently, mustn’t go too far. She struggles and kicks, then slows and finally quiets. A moment more of pressure, then I loosen the hold. Yes, her breasts still rise and fall. She sleeps.

She is a delicious weight across my shoulder as I carry her into the studio, her luscious curves soft under my hands. I lay her down gently in one of the recording booths and loosen the gag. The garrote I leave tied loosely around her neck and her wrists and thumbs stay bound. I leave her on the bare floor and depart, turning the lights to darkness, and take up my station in the control room. The gentlest of hums fills the silence as I power up the recording equipment, but it falls away as I put the headphones across my ears. The night goggles come next, and the darkness of the recording booth falls away to reveal my prize. Her breathing is soft, then grows faster and louder as she begins to wake.

The flash of fear and pain that crosses her face makes me grow hard again inside my jeans. She thrashes her head back and forth as she struggles to see and her gasps of pain are sweet music as she tugs at her bonds. My equipment records every sob as she tries to rise, getting as far as her knees before falling again to the cold, hard floor. She knocks against the chair sitting to one side, sending it crashing against the wall.

She rises again to her knees and crouches there, hands bound behind her back, hair disheveled, eyes staring and struggling to see. The thrashing has forced her skirt up around her waist and the lush curves of her thighs and butt are clear to see. Her breath is coming in fierce pants and gasps as she fights the terror. Perfect.

I remove the goggles and close my eyes for a moment and just listen to the sweet symphony of sounds. I stroke myself along the front of my jeans, rough and hard, then peel back the fly and let my cock loose from its prison. The rest of my clothes slowly follow. Then I flip a switch and send a spotlight glaring across the recording booth. She jerks in shock, almost falling, and lets out a small scream.

He eyes widen as I enter the door and close it tight behind me. Does she know me? Does she recognize me? I stand before her nude and ready as tears flow down her porcelain cheeks and drop from her chin.

“Where am I?” she sobs. “What do you want from me?”

“Shhhhhh” I tell her gently and I step forward to crouch before her. “Hush, now. Together we will make beautiful music.”

She shakes her head in confusion and starts to speak again. I lay a silencing hand across her mouth and grasp the string still tied across her neck. “Hush,” I tell her again as I begin to pull, drawing her by this leash to where the chair lies on its side. I turn it upright and bend her over the seat until her forehead rests against the chair’s back. I hold her there gently by her tether and reach for the discarded gag. I unwind the cloth and use it to wipe the tears from her face, then take the string and loop it through her leash and tie it tightly to a slat in the chair.

She jerks and cries out as she realizes what I am doing, but it is too late. She struggles and tries to jerk free and the string cuts into the back of her neck, drawing the slightest hint of blood. I lay a gentling hand across her neck and bend over her to lick the blood away from her fair skin. She is whimpering in fear, and her voice rises slowly in a chanted prayer.

It is slow work removing her clothes while she is bound, but it is worth the effort as each inch of skin is revealed. I carefully rip the seams of her blouse to get it off her arms and I leave her bra hanging from her wrists, the black lace dark against her waist and butt. The skirt and panties are easier, though she tries to kick as I lift each knee to pull the clothing free. Finally each inch of creamy, untouched skin is revealed.

I run a finger down her back to that cleft between her butt cheeks, then run both hands along her sides and up to her breasts. They are small but firm, her nipples pink and hard in the cool air. My cock throbs, almost painful, as I stroke it across her thigh and her loud cry of “Oh, God. Please, no!” almost makes me come. But not yet. Not yet.

I pull back, but keep my hands on her breasts, tickling and stroking the taut nipples and soft skin. She tugs against her leash and thrashes her head, but still can’t break free. “Oh, God! Oh, God!” she moans over and over again as I bend over her back and run one hand down her front. My fingers find that thatch of hair between her legs and start to tickle and tease and her breath catches in a moan. “No, no, no, no” she gasps as I pinch her nipple hard and force my hand between her legs. And my own moan joins with hers as I find her hot and wet, her fear forcing her body to respond.

I pull back and force her down farther onto the chair, spreading her knees apart until she is kneeling with her legs spread and her breasts pressed flat to the chair seat. I spread her wider with my hands and gaze at the sweet cleft between her legs, dripping with her fear. I kneel down tight behind her, my cock hard against her back, and push her face cruelly into the wood. I lean over her, my weight crushing her bound hands against her own butt, and start to stroke my hardness against her skin. I work my cock against her hard, bruising, as I reach around and start to stroke her again. My fingers are dripping as I find her clit and start to pinch and tease.

Her cries become wordless as she struggles between pain and pleasure. My fingers continue to tease her sweetest flesh as I grind myself across her back. She writhes beneath me, instinctively moving as she lies pinned by my weight, and her gasps become wilder and louder. Then she cries out, a sweet arpeggio taking flight from her bruised throat, and honey drips over my hand between her legs.

Quickly, as she still gasps for breath, I pull back my hips and push my cock against that dripping core. I push forward hard, sheathing myself fully in one hard thrust. She screams at the harsh invasion, and the pleasure of her so tight and wet around me makes me loose a cry with her. I jerk her wrists up on her back until the string bites into her skin and draws blood, then I start to pound. Each stroke draws a moan, a cry, a scream from her and I push ever harder and faster. I push at her hands until blood runs from her arms and smears across her back, and still I pound into her.

I can feel myself building, building and then, with one last hard thrust, I come inside her. I pump myself dry in her soft flesh, then lie quiet across her back, listening to her whimpers. Then gently, I reach forward and untie the string holding her to the chair. I brush her hair away from her face and watch as I draw the garrote tight once more. It is not gentle this time, and I twist my hand, the string cutting into my own fingers as it tightens across her neck. She starts to thrash under me, frantic, desperate, and she tightens around me where I still lie inside her.

She struggles hard, forcing herself up off the chair despite my weight, and I push it out of the way so I can force her to the floor. Her death throes pull against me, tight and hard, and I explode into her again as she gasps for breath. Then stillness, such stillness, as we both lay on the floor, legs intertwined.

She is silent now. But I have her sweetest music forever saved.

Sunday, March 6, 2011

Ascot's Revenge

Wow. Somewhere in between editing and writing for the magazine, I actually managed to write some fiction. It isn't long - which is rare for me. But I rather like how it turned out.


This story is all my sister Kristin's fault. She had left one of her trashy romance novels on the kitchen table. The title was "Beware A Scot's Revenge." It had a funky font, though, and A Scot's was pushed together. I read it as "Beware Ascot's Revenge."


So there you have it. Just for Kristin, I present "Ascot's Revenge."

 
Ascot’s Revenge
By Kate Rose
© 2011

The drumming finally stopped as the man’s feet gave a final twitched and lay still. The frantic fingers clenched at the slick cloth wrapped around his neck, fingernails ripping as they failed to find purchase. A last gasp escaped from around his swollen tongue and the cloth wound tighter. The hands flopped free to the floor as his soul slipped free.
“Never again …” the voice echoed bodilessly through the room with the hiss of tearing silk. “… never again.”
“Very good, my friend,” Sy said with an evil grin, his upper-class accent clipped and arrogant. “You are not a scarf. No one will ever call you a scarf again.”
The ascot unwound slowly from the corpse’s neck and oozed snake-like to the floor. It hissed against the tile as it coiled toward Sy’s foot.
“Never again …” it hissed. “Not a scarf … not a tie … never again …”
Sy hiked up his Fioravanti suit slacks and leaned down lift the ascot from the floor. He brushed a broken fingernail free from the cloth, then wrapped the ascot back around his neck. It snugged itself through his collar and tied itself a perfect knot just below his Adam’s apple. Sy straightened the ends across his shirt front and fastened it with a platinum pin set with a ruby the size of his thumbnail.
“These rustics don’t understand true fashion,” he sneered as he leaned over to pour fresh tea from the waiting service. He took a sip of tea, pinky pointed to the sky. A few drops of the hot liquid spilled across the ascot, and he dabbed it gently with a monogrammed napkin from the table.
He walked to the body and gave the leg a kick, sloshing a bit more tea over the edge of the cup. “But he was the last … the last of the peasants to call you a scarf, my friend.”
“Noooooo …” came the sinister answer. “One more … onnnnnnnnne mooooorrrrrrrre …”
Sy’s handsome face was confused as he dabbed again at the spilled tea. “I don’t know what you mean, my friend. I don’t remember any …”
His voice choked off with a gasp as the ascot tightened suddenly around his throat. The tea cup crashed to the floor and shattered against the tile, hot liquid splashing on the cuffs of his merino slacks.
“Spilled tea … spilled tea …” the ascot moaned as it wrapped tighter, sending the platinum pin clattering to the floor among the shattered china. “Never again …”
Sy fell to his knees as he struggled for breath, one flailing arm knocking the rest of the tea service to the floor. He wrapped his fingers around the ends of the ascot in an effort to pull it free, but like the previous victim he was unable to get a grip on the slippery silk.
His face turned red then purple as he flailed to the ground, arching his back like a stranded fish. He convulsed one final time, landing face-down across the “rustic” who had died before him. Then he was still.
“Never again …” the voice hissed as the ascot unwound from Sy’s starched collar and slid across the floor. “Never again …”

Sunday, January 2, 2011

Drama in Real Life

I've been having trouble kick-starting my fiction writing. I just can't concentrate on it and keep getting distracted by reality.

Today I read a post on FaceBook by one of my favorite authors Laurell K. Hamilton. It read:
I sat on the couch making notes about serial killers, & wereanimals, while Jon read. Trinity, or daughter, drew. Sasquatch, our pug, snoozed. The 3 of us talked a lot, watched a little TV. It was very good. I've worked very hard that my real life is full of joy & love. I save the drama for my fiction. Outside of this small circle, sometimes the drama rises, but that's out there. I do my best to leave it out there.
Yeah, my real life has too much drama. When I sit down to write I end up writing non-fiction - either a blog entry or a magazine article - and the fiction stories just get pushed to the back. The non-fiction is too dramatic and real to let the fiction come to the front.

I haven't given up, not by a long shot. I just need to approach things differently and try to purge the drama so the fiction can come out. It's there and I know it will be wonderful. I just need to let it take the stage.

Thursday, December 2, 2010

A Fairy Tale Revisited

A while ago I started a project I called "Tales of the Misunderstood Witch," which retold some popular fairy tales from the other point of view. It didn't get very far at the time, but I did get this one story finished or at least mostly finished. Hmmmm ... maybe I'll have to go back to these. It was rather fun. 

Rumpelstiltskin OR The tale of the alchemist who never wanted a baby anyway

There once was a dwarf named Rumpelstiltskin. He hated his name – why couldn’t his mother have named him Harry or Bob or Richard? – although he supposed he should feel lucky he wasn’t named Dopey, Sneezy or Grumpy like his cousins. Still, when someone asked his name he told them “call me Stilts” and left it at that.

Like all dwarves, Stilts had a skill for working with metal. He didn’t mine metal ore like his cousins or forge metal like his old school buddies. Stilts was an alchemist, and he had the ability to transmute one metal into another. But while most alchemists concentrated on turning less valuable metals into gold, Stilts spent his time turning all sorts of metals into all sorts of other metals – just because he could. He turned gold into brass and brass into silver and silver into lead. He even tried turning metals into non-metals: silver into glass or porcelain and copper into marble. He spent hours upon hours and days upon days in his small workshop deep in the woods with his experiments.

One evening, when he had traveled into the city to buy supplies, he found himself wandering past the lower levels of the king’s castle. To his surprise, he heard the sounds of a woman sobbing coming from one of the cellars. He found the nearest door – the lock posed no problem to a talented alchemist – and stepped inside to find a beautiful young girl sitting in front of the spinning wheel surrounded by piles of straw. He took a closer look and realized he knew her, although she probably didn’t know him. He had seen her helping her father at the grist mill outside the forest where he lived.

“Good evening, miller’s daughter,” he greeted her pleasantly. “Why are you crying?”

“Oh,” she cried, startled mid-sob. “I have got to spin gold out of straw, and I don’t understand the business.”

The poor girl went on to explain that her father, an insecure man with an inferiority complex, had bragged to the king that his daughter was not only beautiful, but could turn straw into gold with her spinning wheel. The king had promptly had his guards grab the girl and lock her in this room full of straw.

“He told me to get to work and if by early morning I haven’t spun this straw into gold, I will die,” she said, and began sobbing even harder.

Make gold from straw? Stilts had never tried that before. What a challenge!

“What will you give me if I spin it for you?” he asked the girl.

“I will give you my necklace,” she replied, holding out a beautifully worked pendant made of tarnished copper. Stilts practically drooled. Once he changed it to gold – or better yet, platinum – it would be priceless.

He motioned the girl aside, hopped onto her chair and set to work. He had never worked plant material into a metal before and it took him a moment to get the hang of it, but in no time at all he had the knack and he began filling bobbin after bobbin with fine threads of gold.

The sun was just starting to rise when he finished, and he ducked quickly into the hall and hid behind the door as the king entered. He heard the king chuckle with glee as he gazed upon the piles of gold wire.

Stilts ducked into a dark corner as the king led the girl down the hall to a larger cellar, this one also piled high with straw. “Now set to work,” the king told her before shutting her in. “If you value your life, you will spin all this into gold by tomorrow morning.” He locked the door and strode away.

The little man waited for a moment, pondering. He really should get back to his workshop and the necklace the girl had given him would let him buy enough supplies that he wouldn’t have to return to the city for months. But he could hear the miller’s daughter crying again and he felt sorry for the girl. With a heavy sigh, he transmuted the lock and entered the room.

“What will you give me if I spin all this straw into gold?” he asked her. “The ring from my finger,” she answered, and showed him a delicate ring that matched the pendant he’d earned the night before.

Stilts took the ring and set down to work. It went faster now that he had the knack of it, and by the time dawn’s light started to stain the night sky, the room was filled with bobbins of gold wire.

Again the king came and again the dwarf hid behind the door while the girl was led to yet another room, this one as big and the first two rooms put together and piled to the ceiling with bales of straw.

“This, too, must be spun in one night, and if you accomplish it you shall be my wife,” the king told the girl before locking her inside. As the king walked away, Stilts saw the greed in his eyes. The little man was exhausted but he vowed to help the girl one last time.

“What will you give me if I spin the straw for you this time?” he asked the girl upon entering the room.

“I have nothing left to give,” she answered, her eyes full of tears.

Stilts thought for a moment. What could he ask for? A lifetime supply of milled wheat? He didn’t need land or riches; he had plenty of both. An arm, a leg, her firstborn child? What would he ever do with those? “Hee, hee, hee,” he chuckled to himself. “You’re firstborn child.” He did not realize he had spoken aloud.

“I agree,” the miller’s daughter told him. “I promise you my first child I have after I am queen.”

Stilts was stunned. The girl must truly be desperate to promise such a thing. And if she did happen to have a child, what, exactly, was he supposed to do with it? Still, a deal was a deal, so he agreed and set to work.

The dwarf was so exhausted after three days of non-stop work that he left town as soon as he was done spinning the last bobbin of gold. He missed the wedding – it was held only two days later – and didn’t return to the king’s city for almost a year. He had slept for a week then dove headfirst into his alchemy, almost forgetting the Queen’s debt to him. He expanded his experiments to include turning wildflowers into copper and copper into butterfly wings and his work consumed him.

Eventually his supplies ran out and he returned to the city to restock. He had barely taken a step inside the gates when he heard the glad news: The miller’s daughter, who was now the Queen, had given birth to a child. With a start, he remembered strange bargain he had made with the girl.

He still wasn’t sure what he would do with a baby, but a deal was a deal. Maybe he could talk her into something else, like a team of horses or a couple of good mules.

He made his way into the castle and found the Queen’s apartment, sneaking into her room late at night when she was alone. “Remember me?” he greeted her kindly. “It is time to give me what you promised me.”

Immediately the girl ran to the cradle by the window and started wailing and crying. She started offering him, gold, silver, rubies and sapphires by the wagon load if he would only leave the child. Stilts couldn’t get a word in edgewise! Besides, what use would he have for all those riches; he could make most of it himself.

“No,” he told her. “I would rather have something living than all the treasures of the world.”

The Queen started to moan even louder and was hugging the baby so tightly Stilts feared she would smother it. And he was baffled by her reaction. Sure, it was her child, but it wasn’t like he was going to do anything terrible to the baby. And he didn’t live that far away. They could probably arrange to visit a couple times a year. And besides, couldn’t she have other children?

And he didn’t even want the baby! He tried to talk, to make another deal, but she just kept sobbing and moaning. The crying was definitely getting on his nerves. He just wanted to leave, but he also couldn’t just let her off the hook; they had a deal.

“I will give you three days,” he told the weeping Queen. “If at the end of that time you cannot tell my name, you must give up the child to me.”

He left quickly, proud of his solution. Not many people knew his full name, but he had visited her father’s mill for years and she should be able to find out his name without too much trouble. She would be able to keep her child and he wouldn’t have to figure out what to do with a baby. Train it as an assistant, maybe? That would take years! Still, an assistant would be nice. Maybe, he thought, he could hire someone here in the city.

But when he returned to the Queen after the first day, he was disappointed. She wasn’t even close! She tried Caspar, Melchior and even Balthazar. “That is not my name,” he told her, and left.

The second night was also a disappointment. The Queen had obviously had someone go through the servants’ quarters and write down all the names – she tried Roast-ribs and Sheepshanks and Spindleshanks – but she obviously hadn’t bothered to ask her own father if he knew the name of a dwarf alchemist. “That is not my name,” he repeated, and left.

A few hours later, Stilts saw one of the Queen’s messengers riding along the road that led to the woods. Here was his chance! He passed the messenger by a shortcut and quickly built a huge fire in front of his house. As soon as he heard the horse approach, he began to dance and caper around the fire, singing at the top of his lungs:
“Today do I bake, tomorrow I brew,
The day after that the Queen’s child comes in;
And oh! I am glad that nobody knew
That the name I am called is Rumpelstiltskin!”

Sure enough, the messenger heard him and rode back quickly the way he had come. When he arrived that night, the Queen sat calmly, a slightly smug look on her face.
“Now, Mrs. Queen, what is my name?” he asked her.

“Are you called Jack,” she asked, obviously wanting to draw things out a bit.

“No,” he answered.

“Are you called Harry?”

“No.”

“Then perhaps your name is Rumpelstiltskin!” she cried.

Stilts hid a smile and began stomping his feet as if angry. Really, why had he ever thought he wanted a baby? He could smell the kid’s dirty diaper from here.

“The devil told you that! The devil told you that!” he screamed, stamping his feet harder and harder until he cracked the floor and disappeared from the Queen’s view. He slipped from the castle, please with his performance. On the way home he stopped at the market and bought a team of oxen, then swung by a lumber camp and hired a boy who didn’t speak much but who had muscles like and ox.

And they lived happily ever after.

Poetry Practice

Last year I was preparing to teach a class on writing and decided to do some practice to "limber up." Poetry really is a great way to exercise your writing skills. I should really make myself write it more often.

Relativity
(Triolet)

The year is short, the day is long
And hours move in stately dance.
How does time write its shallow song?
The year is short, the day is long.
The month comes slowly then is gone
Yet weeks speed past at just a glance.
The year is short, the day is long
And hours move in stately dance.

Sunshine
(Haiku)
Little cat sleeping
White belly turned to the sun.
Is she solar powered?

Blessing
(Sonnet)
I dance upon my Mother Earth
The bare rock throbbing ‘neath my feet.
I turn my face to heaven’s hearth
And let the Sun’s light set the beat.

Slowing now, I take a seat
Beneath her tree with branches wide.
With quiet song the Moon I greet,
To gentler face I turn my eye.

I lift my arms to Mother Sky
And feel her breath upon my bones.
In sheltering arms my spirit lies;
In her embrace my soul is home.

Earth and Water, Fire and Air
Mother, bless my spirit here.

The Ex-Girlfriend's Lament


This is a new one. I started freewriting and it just came out. Apparently I'm still not over that guy ...

How do I hate thee? Let me count the ways.

The very sound of your voice incites loathing in my soul. Your eyes are pools of tar and your smile drips with venom.

How can we still live in this same world, breathe this same air? You are toxic, and I can see the stain of your touch everywhere I go.

That friend there: We saw a concert once with him and now he is stained before my eyes. His fond hello makes me shudder in revulsion as remembered joy turns to pain.

Lemon chicken with rice is now foul to me and shall never again cross my lips and a mocha latte sits bittersweet in my belly. How many nights did we share these victuals, theses precious nourishments that now turn to ash in my mouth?

A puppy’s cry is no longer sweet. A summer rain no longer falls gently. Give me mountains tall and deserts vast, for the ocean’s gentle breeze no longer favors me.

How do I hate thee? Let me count the ways. 

But wait … just once more look upon me, my beautiful torment. Turn just once from her face and gaze once more upon mine. Just once, my love, pretend ...

How do I love thee? Let me count the ways.